Bjørn Staal

Bjørn Staal is an artist and software developer based in Oslo, Norway.

His work explores the dynamic interactions between computational systems, human perception & behavior. With more than a decade of experience in multidisciplinary design and software development, Staal co-founded the experimental art and design studio Void in 2015. Focused mainly on the development of large-scale interactive installations, Void has gained international recognition for its work at the intersection of design, architecture, technology, and art.

Since leaving the studio in 2023, Bjørn has focused on his own artistic practice, exploring how algorithms can enrich our understanding of what it means to be human in an age where more and more of our agency is being outsourced. Staal’s work has been exhibited nationally and internationally, as part of online and physical exhibitions as well as installations in public spaces. In September 2024, Staal had his first solo exhibition at Wintercircus in Ghent, Belgium.

mem_brane

2025

interactive, installation, agentic AI

Transparent LED, Steel, TypeScript, GLSL

Pioneer Works

mem_brane is an immersive installation developed during a two-month art and research residency with Sanity, exhibited at Pioneer Works in New York, late September 2025. The work poses a simple question: what does the internal workings of an artificially constructed mind look like? What types of thoughts, reflections and mental imagery arise when Large Language Models are turned inwards rather than outwards.

Borrowing it's title from the biological concept of a membrane, a sheet of cells designed to block certain molecules while letting others pass through, as well as the human brain and its memory system. The layered arrangement of transparent LED-panels mirrors how human cognition operates across different depths, from surface-level awareness down to subconscious processes and buried memories.

The conceptual starting point for the piece draws on Douglas Hofstadter's book I Am a Strange Loop, which argues that consciousness and the sense of self emerge from self-referential patterns in our thinking. Our subjective experience of being someone, Hofstadter suggests, is essentially a feedback loop that creates the impression of a unified self by constantly referring back to itself. This idea informed the core architecture of the agent. Rather than instructing the AI to perform tasks or hold conversations with a user, the system chains multiple LLM calls together in a self-referential loop, producing a continuous internal dialogue.

The installation also maintains a relationship to its environment, absorbing speech from its surroundings through real-time audio transcription. What enters the system is not repeated but folded into the agent's own thinking, surfacing later as traces within its chain of thought, like a mind half-listening in a crowded room. Throughout the day, the installation's reflections shifted in response to the conversations around it, lending the piece an unsettling sense of awareness.

In a time where AI agents are rapidly becoming more and more ubiquitous, mem_brane reflects on our relationship to autonomous systems that increasingly exhibit human-like qualities. As the term AI-psychosis (referring to the anthropomorphising of agents and the formation of emotional relationships with them) is becoming culturally relevant, the work questions how readily we project sentience onto systems that merely simulate it.